#Mai xee thao skin
#Mai xee thao full

Life on the Reservation Keith Carmona, Anthony Hare, Rodger Johnson, Rodney Johnson Jr., Regina Walker, Danielle White, Jessica White, Joe Joe White, and William Stately RobinsonĪ transitional technique between two sequences in which the visible image of one shot is gradually blended with the image from another shot.

#Mai xee thao skin

Live Long and Open the Doors to My Fishtank: Seeing the Truth through Partially Closed Eyes Tricia ToweyĪkeelma Soultouch Productions, Lovin’ the Skin I’m In Collective: Audrey Thompson-Amartifio, Chalisa Anderson, Topaz Davis, Vanessa Gill, Shavon Ingram, Brianna Lark, Kiera Parham, Roderick Pierce, Harmonee Peterson, Halston Sleets, and Andreesa Wright These films roam everywhere, from documentaries about the experience of America’s minorities to technically advanced stop-motion animations. Lily of the Forest Nora Epp, Lène Epp, and Helena Scholz-CarlsonĪ Puzzle Itself Elizabeth McNaughton and Tekla MonsonĪ sudden cut from one shot or scene to another. _Neighborhood House Hannah Nemer and Molly Nemer _Siblings (or Why I Wish I Were an Only Child) _Casey Haarstad, Molly Nemer, and Maddy ShawĮxpression Through. The Distinct Taste of Evi_l Genevieve Gleich and Lily Rogers-Grant Total running time 56 minutes.ĭiversity Shevell Powell, Pa Chia Thao, Mai Xee Vang, Pa Nhia Vang, Kia Vue, and Steven Washington This program showcases work by the festival’s youngest filmmakers. Girls in the Director’s Chair teen curatorsĪ gradual increase in an image’s visibility at the beginning of a film sequence. Just as film transitions advance audiences into different scenes, the creation of these works has helped propel these young women into different stages of their artistic development.

#Mai xee thao full

Ranging from animations to documentaries to video poems, the 2007 Girls in the Director’s Chair program will deliver the full spectrum of video and film arts made by some of Minnesota’s newest filmmakers. This year, we received more than 100 submissions from filmmakers all over the state. As curators we feel that it is important to display the art of our peers as well as share our generation’s point of view. The mission of our festival is both to inspire and promote these young women and to help them realize that even in a field traditionally dominated by men, their dreams are still tangible.

Girls in the Director’s Chair is a film festival dedicated to creating a venue for rising young female filmmakers in Minnesota.